3ds Buggy Free Blueprint

March arrives with a load of new

soon and March and with it come to fruition a lot of things in my life.

In this period are so tired and my nerves are gradually eroding, but this is not the time to surrender their weapons as soon will begin a month of bureaucratic meetings, cleaning thoroughly, boxes and boxes and much more.

This weekend for me not to miss anything I was not particularly well Saturday and I stayed in bed until the afternoon with severe abdominal pain, they say, is a virus, but I think it's a nice mixture of anxiety and panic.

not want to block my blog as long as I can be in order of time that connection I would like to be present but if not I see and hear to know that for sure we will meet again in a month and then I will update you and I'll show you all the news.

Meanwhile I leave you with this recipe that I made Friday night and I really enjoyed

rolls into the woods

Ingredients (for 2 persons):

gr. 250 of the veal sliced \u200b\u200b

50 g of ham

gr. 50 Monte Veronese whole milk

No 4 sage leaves

1 clove garlic

extra virgin olive oil

a dash of white wine

Pepe salt &

Spago

1 / 2 pkg. Champignon Mushrooms

How to cook

We clean the mushrooms and cut them into thick slices and fry in a pan are made with a clove of garlic, salt and pepper, then remove from pan and place them in a dish and kept warm.

Meanwhile on each slice of veal put a slice of ham, cheese, sliced \u200b\u200bthin, roll and secure with twine ..

Heat the pan used for mushrooms, lay the rolls, brown and then add the wine, allowing fade.

Season with salt and pepper and cook for about 10/15 minutes.

Serve over the mushrooms with an accompaniment of salad dressed with oil, salt and pepper and coarsely chopped walnuts.

What Does There've Mean?

CANICANI

CANICANI at the Teatro di Monza Track 7, 19 and 20 February 2011.

Photographs by Lorenzo Ceva Valla

What Cuts Lips In Chew

WALK

Sologno Walk to the Abbey of Dulzago, a kestrel keeps my shadow / soul, heaven metal frost on hot bricks, sky rapacious land and illusion.

Hard Painless Lump On Side Of Neck

CANICANI photographs: images


A Lorenzo Ceva Valla and Mario Garofalo: hundreds of photos, a documentary.

roamed the room seem to smell the light, are the cat and the fox image. What is the cat and the fox is what we can not know. Between them they play perhaps switch roles: I now encircles the shadow, you rubbed him the light, inteneriscila, and make one laugh crystalline.

They sit in the shade, it is they who then the shape around the light as if it were clay, and make statues that speak with lightning in his eyes. From the shadows, watching others move into the light.

spy on them as if celassero secrets, spying on them in their most intimate details, spy on them in the form in the crease and taking the soul, spy on them without surprise and without malice, in love with the dance of bodies in space, and expressions that are painted on their faces.

The fox slips away from each other and no one notices his exploration Leste and cautious: a flash, the other is already shot.

The cat wins the sympathy: here, kitty, give me a close-up! And again caress the telephoto side, kitty! And another: the right profile, my mao, make me pretty!

The cat and the fox seem shadows in the shadow, nobody is ever appropriate to them, except when they themselves want: then all crowd around to fuss and assume postures.

Otherwise, from the throne of discretion, sink slowly into the flesh and spirit, seize the moment before it vanishes forever and make faces at the time. What was a crumb of oblivion becomes the eternal image: in His fixation is the suggestion of the dance and words.

And if the pictures are moving here is that life comes to us with a new dress, clean and tidy. What, in time, it was chaos and empty and full swing, now is a flowing elegant and expressive.

All applaud.

The cat and the fox took refuge in the silence of the shadow: from there the light is more powerful.

Ap Biologycarolina Lab 5 Answers

CANICANI review

Agnus Lupus: Canicani

article by Gian Paolo Galas

The month of February saw on stage at the Monza Track 7 of the company Agnus Lupus, who presented the family Trilogy, consisting of Mom Mammazza , produced in 2008 by the Piccolo Teatro of Milan and focuses on the perversions family ties; Verginella , Filodrammatici presented at the Teatro di Milano in 2009 and concerning the issue of pedophilia, and, in the first national this weekend, Canicani , linked to the issue of organ market and hence anthropophagy.

The texts are written by LupusAgnus Aquilino, backed by other writing experiences (not just for the scene) and theater, but the company was founded by a core of actors trained at the School of Small, present and very active in the boxes in Milan and that with this new work, represented three times in two days and two hours, opened a work in progress who is also a workshop on the draft text and its staging. At the end of the performance the audience was invited to participate with comments, impressions, criticisms, which have already produced some adjustments between a show and another.

work and considerable effort, given the themes and the staging. Organ trafficking in Italy were very few texts dedicated in 2009 there was only one book on the subject in our language (but are also ongoing investigations, and therefore the confidentiality of investigations). Humanity is represented in this musical caricature and grotesque resembles Address Unknown Kim KiDuk, but we just won from the U.S. Army in Korea and do not kill dogs. Yet the atmosphere is that of the human survivors of a devastating, not only can be inner or maybe yes, indeed there is a child inside each ogre devoured: the executioners have already learned the lesson of sociology, therefore, hard not to find excuses in a world that has done any of the word what you do behind that curtain, plastic, or sex between brother and sister and organ trafficking.

Anna Rossano is Juliette Lewis (Natural Born Killers to ) grew and finally normal, hungry for success tronista and nail polish. Or do you think the people of Las Hurdes , burgers and filled up with television: The monsters among us, and we did not want to sing that "the world is watching, the world is emotion," and know that if happiness is not of this world, instead it is the enjoyment and you have to make sure. At any cost. The rage of hunger: life boring, and while we dream of being famous you can still stir up the fame and power but the children must obey to avoid the stick, because if you show respect parents have not become someone you can not escape the common destiny, the "you all and I have nothing" that calms the conscience, the children like dogs on a chain, that death should be a moment of rest, lyrical, because Somewhere it was reported that the pain is expressed, and however it is still a gap to fill.

will be an unexpected motherhood to give a character (the one that for better or for worse he reports, as required, with the outside world: in the fund is to know what's "out there", were also customers, salvation) the strength to repel the black hole, the forces of 'evil', and to find, the other in itself, a subjective voice.

While the absence of a symbolic world. In the scene just everyday objects, the chair, the TV, to represent the new bras fetish menage family, the chains which are linked to their children, and lots of plastic that holds the "stolen" the curtain behind it reaches the misdeeds, that used to cover. Nothing in the scene leaves the matter in an ambiguity, a possible new use, a choice. You can not predict if the show arrived physically in your area, to which and how many will be subject to change. The strength of the company is also the ability to assimilate the insights provided by the public, like other companies related perhaps to the spirit, including the Palermo Sutta Scupi , even more so "old." It 'nice to see something that moves and lives in the contemporary theater. You are not alone.

http://www.flaneri.com

Agnus Lupus - Canicani

Aquilino
drama directed by Stefano De Luca
with Henry Ballandrini, Tommaso Banfi, Matthew Beard, 'Marta Comerio, Carlo Ponti, Anna Rossano, Fabio Zulli
Theatre Track 7 - Monza
19-20 February 2011 the first national

Buying Chicken Wings By The Bulk

Sunset Lessinia

Saturday afternoon (in the video I put the wrong date ... opsss) Compare the proposed me to go for a walk in Lessinia to photograph the sunset .....

The landscape changed continuously from low clouds that slowly rose and we were muffled by the colors of the sunset .....

Fantastic and very romantic ^ __ ^

Tiffany Towers Breakfast At Tiffanys

CANICANI review

can like it or not pleasure, but it gets in your head, you weigh on the heart. If you did not like, you can not ignore it even if we banish the thought that you molested as a fly with a buzz incessant, maddening, and if you liked, or rather, if you enjoy, you feel the need to analyze situations, not to have a clearer view of the representation, but to find a way out of endless horror that assails you with violence. The desire for revenge is like a cry havoc imploding in you by your heart, you would like to crush insects like these parents disgusting perverted and unclean, that uncle perverted, lustful, cynical that refreshing, smart, repulsive, but this violence is required on a leash by the victims and is steeped in the relationship between wheat and Cancion Canbett and Canfil, that despite his anger, expresses her desperate need for love by agreeing to take the hand of Cancion, now dying, with a hesitation and apprehension touching.

One scene in particular struck me: one in which Cancion dying father to ask for help. It would be easy to accentuate the dramatic, given the situation, but I appreciated the extent to which it is made: there is weary resignation to the obvious waste, but I have "read" as an offer of redemption to the abominable father, as a last hope before I die.
The child must be born out of the role of "the fruit of incest" to become the driving force towards a life worthy to be called such.

Vincent Colombo

Highland Dance Outifts For Sale

U.S. U.S. LUPUSAGNUS

the tables of the "Fellowship of the Lamb" had already accommodated the elf archer Canbett with the hobbits and explorers Cancion Canfil. The innkeeper Burgo served them beer and dark. No one spoke. They were all waiting for someone and something. In one corner, Marcos accompanied by fiddle Aquilio the bard who sang heroic deeds to be done.

The door was wide open and the ogre stands sull'abbaglio Tatu, hairy and frowning, with his nymph Chicco, radiant. "Beer, Burgo," cried the ogre smashing a table with his fist. The crash was followed by the clatter of the door torn from its hinges and thrown over the thousand year old oak. The troll came enlarging the room with bare shoulders, muscles of stone. "I destroy the inn!" Groaned Burgo, but the troll silenced him with a snarl. From the hole in the wall flew in on vibrating wings of the dragonfly messenger Julia, faster than a glance. "Here!" He said.

The fire emitted a puff of smoke rainbow which formed the figure of the magician Stephano. Raised her left arm to make up on their feet, then raising his right caused the collapse of a wall and appeared on the lawn in front of the inhabitants of the village, thronged to watch the wonders.

"Stan the wolf!" Commanded the magician.

"But who are you?" Asked the audience in a chorus.

At that moment a shadow fell giant and all shuddered. Between them and the inn is placed a dragon. There was in the saddle Martosta queen, followed by Amazon and Carlotta Lindola over white winged horse.

"We Lupusagnus" said the dragon. Then he blew flames into the sky to record the name in the clouds.

Why Does My Dog Rub His Body Along My Furniture?

CANICANI review

The Trilogy of the family closes with a punch in the stomach


Good

the first! Not perfect, mind you: Canicani , last act closes the trilogy of Family , needs a scissor kick here and there, a little 'running and the filing of any report excessive vulgarity (as is admitted by the same author, Aquilino, at the end of the representation). Last night at the theater Track 7 of Monza staged the world premiere of the show, to be followed by the afternoon and evening today. The audience applauded warmly, and seemed to have liked the performance stage of this text particularly intense Stefano De Luca has set up a close-knit group of young actors. And just over two hours with violence unleashed punches directly to the stomach, without giving breath to the spectators. Metaphors: Canicani is all down to Hell, then, unfortunately without the help and comfort of a benevolent guide. Only the most optimistic (or naive) can expect to see a light at the end of the tunnel and find the energy to go back to the purgatory of a "normal" life. Well, normal .... The ménage family that we see represented on the stage looks like too much of what the record (often the black ) and opinion polls to tell us .

The pater familias is the absolute master of the four walls closed in , but in turn is a slave of passive television. Glued to the chair rather entangled, has no force or longer feels the need to address. The wife-mother is a victim instead of the stereotypical "blonde with no brain, only interested in breaking into the entertainment world, appearing in the spotlight. Anna Ross demonstrates a strong stage presence, "employment" and dominating the stage with his moves, smiles and dizzy from the energy of despair that drives the main character he plays. Cabaret duets with his brother Lo, played by an effervescent Tommaso Banfi. Husband and wife is a tragicomedy that follows turns grotesque.

But when children are on the scene , the Canicani, the play plunges into the darker tones of the dark tragedy , in which the actions of the butcher from the clown-like smile are not intended to lighten the mood but rather to add the slash of sarcasm to the wound of the flesh. The song of the Restaurant Nothing distressing is the exasperation of The house of Blanche Dubois (It was a very nice house / no ceiling, no kitchen, / you could not get into it / because there was the floor .. .): the "puppies" are certainly hungry for food, but they are especially in need of affection. But only receive threats, harassment and violence.

A separate debate deserves urged the public by the director at the end of representation. I confess that I entertain some doubts the real usefulness of such initiatives, given the theater a rite, so something that shows itself, not that it "proves". In particular I was struck by the firm conviction of the author Salvadore, educational and training role of the theater, and more particularly of shows focusing on problematic issues such as those addressed in Canicani . Again I can only express my doubts.

I found very pertinent, and entirely uncontroversial, observation - application for a viewer who asked if there is the possibility of creating a theater "positive and proactive", showing, in practice, a possible way of redemption, without "limited" to report the reasons and the ways of the fall. After thinking, I will answer that should be overturned by the famous maxim by which Tolstoy's launch of Anna Karenina: "All happy families resemble one another, each unhappy family is unhappy in its own way." The theater can tell the pain, suffering and death because they are experiences common to all men, and the happiness and joy are "unspeakable" because it was too personal and therefore non-theatrical.
Saul Stucchi

CANICANI
Aquilino
drama directed by Stefano De Luca
with Enrico Ballardini, Tommaso Banfi, Matthew Beard, Martha Comerio, Carlo Ponti, Anna Ross and Fabio Zulli
Production LUPUSAGNUS