Scabies Getting Worse After I Put Cream On

CANICANI review

The slaughter of the contemporary family violence between dreams and success

Created February 20, 2011 by VALEDO

A father violent and stupid that never gets up from his chair and has a vocabulary limited to insults and expletives. A mother with a frenzy of self-promotion and ambition to succeed. Both victims subdued and imagination in the reality television that swallows a big void. An uncle coming from the seventies to the look, the contemporary chronicle for incest (with her sister) and slimy succubus God's money. A restaurant butcher-smooth and horrible, that the little family supplies of organs and meat as a delicacy to be served to customers. Then there are them, canicani , children victims of domestic violence, violence in society. Bred for meat, ready to be replaced by new children. A shop, the other prostitutes, the third raise their bodies because it is the only to have them healthy, but dies is going to be replaced by a baby son incest, the result of the violence of his father on his daughter. In the final outstanding amount and your resignation will be the voice of the girl child in her lap to defeat the violence of adults and leave open the hope a future of integration and normalità.Tematiche shocking, those written by playwright Aquilino and staged by director Stefano De Luca, who with his company Lupusagnus has created a trilogy on the themes of family Domestic Violence: mammazza Mom tells of a mother who kills her son, Verginella of abuse, is the last Canicani capitolo.Temi so strong as to require a Brechtian detachment from the material and cathartic. Why the director has made a surprising stylistic choice: to represent the text in the form of musical . Operation as highly successful: the separation is functional, the surreal atmosphere and grotesque characters help to realize that violence is portrayed in the scene un'attinenza to contemporary realities and much closer to what could be perceived through the involvement emotivo.Lode actors, all excellent Some overwhelming: Anna Ross (which gives a perfect voice and a charismatic stage presence to the mother) and Tommaso Banfi (his uncle, the original pulp and vaguely). The education can be seen, and makes the contrast between matter differenza.Il tragic and comic form loses its effectiveness in the finale: the lyricism of the figures of canicani not fits well with the grotesque figures of adults. In addition, the intervention of the voice the fetus appeared a step too personally in the direction of surreale.Qualche redundancy in the text and made the character of the father does not take away value to the work of De Luca, courageous investigator of the horror home. Survey conducted with professionalism, without complacency or rhetoric, but especially with so much sincerity and commitment in taking the role that each should have as a theatrical ideal communicate to the public, shaking consciences and proposing interpretations of this, giving the tools that help to better understand the world in which we live. Do not want to provoke, but contenuti.La depth of passion in the words used by De Luca during a meeting at the end of the show have handed the passion for a job, the affirmation of the dignity of the role of the theater (as a means of redemption from the horrors of the company), respect for the public, and for once we heard the word that most missing in the theatrical world: dialogue , in this case between artists and audiences. The audience responded to this request with the participation of confrontation during the debate (preceded by the distribution of a questionnaire, which also had the open-ended questions) nobody left the hall, but everyone who filled out a questionnaire and have followed the debate. That, however, was not at all trivial, but rather on and constructive. We must say that this evening the public of the province has given a lesson to the Milanese and ready to participate and be cause to question, while the Milanese public is getting bored in an attitude of sufficiency, of foreignness, of closure. It is difficult to surprise the viewer metropolitan, more and more like a doctor performing an autopsy: it used to everything, consider the matter in front of him as an object of analysis clinica.A end of the show we held an hour talking friends and professionals: even this rare and always a sign that there is substance to work with!
saw at Monza Track 7 of the Company 19.II.2011
LupusAgnus CANICANI of Aquilinoregia Lucacon Marta De Stefano Comerio, Tommaso Banfi, Anna Rossano