article by Gian Paolo Galas
The month of February saw on stage at the Monza Track 7 of the company Agnus Lupus, who presented the family Trilogy, consisting of Mom Mammazza , produced in 2008 by the Piccolo Teatro of Milan and focuses on the perversions family ties; Verginella , Filodrammatici presented at the Teatro di Milano in 2009 and concerning the issue of pedophilia, and, in the first national this weekend, Canicani , linked to the issue of organ market and hence anthropophagy.
The texts are written by LupusAgnus Aquilino, backed by other writing experiences (not just for the scene) and theater, but the company was founded by a core of actors trained at the School of Small, present and very active in the boxes in Milan and that with this new work, represented three times in two days and two hours, opened a work in progress who is also a workshop on the draft text and its staging. At the end of the performance the audience was invited to participate with comments, impressions, criticisms, which have already produced some adjustments between a show and another.
work and considerable effort, given the themes and the staging. Organ trafficking in Italy were very few texts dedicated in 2009 there was only one book on the subject in our language (but are also ongoing investigations, and therefore the confidentiality of investigations). Humanity is represented in this musical caricature and grotesque resembles Address Unknown Kim KiDuk, but we just won from the U.S. Army in Korea and do not kill dogs. Yet the atmosphere is that of the human survivors of a devastating, not only can be inner or maybe yes, indeed there is a child inside each ogre devoured: the executioners have already learned the lesson of sociology, therefore, hard not to find excuses in a world that has done any of the word what you do behind that curtain, plastic, or sex between brother and sister and organ trafficking.
Anna Rossano is Juliette Lewis (Natural Born Killers to ) grew and finally normal, hungry for success tronista and nail polish. Or do you think the people of Las Hurdes , burgers and filled up with television: The monsters among us, and we did not want to sing that "the world is watching, the world is emotion," and know that if happiness is not of this world, instead it is the enjoyment and you have to make sure. At any cost. The rage of hunger: life boring, and while we dream of being famous you can still stir up the fame and power but the children must obey to avoid the stick, because if you show respect parents have not become someone you can not escape the common destiny, the "you all and I have nothing" that calms the conscience, the children like dogs on a chain, that death should be a moment of rest, lyrical, because Somewhere it was reported that the pain is expressed, and however it is still a gap to fill.
will be an unexpected motherhood to give a character (the one that for better or for worse he reports, as required, with the outside world: in the fund is to know what's "out there", were also customers, salvation) the strength to repel the black hole, the forces of 'evil', and to find, the other in itself, a subjective voice.
While the absence of a symbolic world. In the scene just everyday objects, the chair, the TV, to represent the new bras fetish menage family, the chains which are linked to their children, and lots of plastic that holds the "stolen" the curtain behind it reaches the misdeeds, that used to cover. Nothing in the scene leaves the matter in an ambiguity, a possible new use, a choice. You can not predict if the show arrived physically in your area, to which and how many will be subject to change. The strength of the company is also the ability to assimilate the insights provided by the public, like other companies related perhaps to the spirit, including the Palermo Sutta Scupi , even more so "old." It 'nice to see something that moves and lives in the contemporary theater. You are not alone.
http://www.flaneri.com
Agnus Lupus - Canicani
Aquilino
drama directed by Stefano De Luca
with Henry Ballandrini, Tommaso Banfi, Matthew Beard, 'Marta Comerio, Carlo Ponti, Anna Rossano, Fabio Zulli
Theatre Track 7 - Monza
19-20 February 2011 the first national
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